A while back, I released a complete works of H.P. Lovecraft eBook in EPUB and Kindle formats. While that works for most people, some had asked for a PDF copy for their computers or other devices. Creating the PDF wasn't a priority (the stories are all available online and the two version I've created can be read on nearly every device, including computers), but it was still something I wanted to get around to. So last weekend, I got it put together.

You can download the PDF here. I've set it as a download vs. opening in a browser because it's a large enough file that it may slow down your browser while loading. The text is the same as the other ebooks. It has a linked table of contents and “Return to Table of Contents” links following each story.

If you have an e-Reader or want to read it on your smartphone, I strongly recommend downloading the EPUB or the MOBI versions instead. The formatting looks fine on a computer and would probably look fine on a tablet, but PDFs simply don't look as good on e-Readers/phones as EPUBs/MOBIs do. Since the file is about 6x as large as the other ebooks, this also puts more strain on my server. I'm hoping that won't be an issue—otherwise I'll have to host the download elsewhere.

As with the other eBook, this is licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0) (a formalization of the request I initially made, merely putting it into legal terms). The book may be redistributed, torn apart, revised, etc, but please do not sell it. Uploading on your own site for download is fine. If you choose to share or redistribute the book, please give credit to arkhamarchivist.com. Basically, you can do anything with it but sell it.

Hope you enjoy!

Even before I released the Lovecraft eBook, people have asked me where they should start with Lovecraft or what his best stories were. As with any fiction, this is my entirely subjective take. I added my thoughts but tried not to give things away.

As always, I recommend reading these along with the H.P. Lovecraft Literary Podcast if you want company (and for the ones not on this list, the podcast really helps get through them and even see fun things in them). There are a number of good recordings available at the Lovecraft eZine and some on Librivox. I've also linked to three below which I especially recommend.

Best of Shorter Fiction

These are, perhaps, the best to start with. They're not too long (some more than others), if you don't like one you can drop it and move on to another. They're in a variety of styles and have varying tones. Together, they encapsulate everything about Lovecraft's universe except his dream stories. I don't especially like the dream stories, but you can find a list on Wikipedia and attempt them.

Pickman's Model

A great introduction to the world of Lovecraft. Short but manages to encapsulate cosmic horror in an ordinary city.

The Colour Out of Space

An excellent instance of cosmic horror. A meteor arrives and what it contains wreaks havoc on a small area. One of my favorites, very much works for sci-fi horror inspiration.

The Shadow Over Innsmouth

One of the best.

The Whisperer in Darkness

I find this one of the eeriest of Lovecraft's stories.

The Haunter of the Dark

More amazing imagery. I recommend the H.P. Podcraft audio version.

The Dunwich Horror

Best instance of heroic librarian.

The Rats in the Walls

Fantastic imagery and a classic Lovecraftian protagonist. Definitely Poe-inspired. Racist cringe factor with the cat's name. Spoils what might be on otherwise excellent story.

The Call of Cthulhu

Not as readable as some because it's a tale within a tale within a tale. There are newspaper clippings and journal entries and interviews. Nonetheless, this is one of the classics. And, of course, it's where one meets Cthulhu and the only story in which Cthulhu is really a character—though he's mentioned elsewhere.

The Thing on the Doorstep

Must be read after “The Shadow Over Innsmouth” or it loses background material.

Herbert West — Reanimator

This story was commissioned for a magazine and has a slightly different feel from his others. A bit more like regular pulp. I enjoy it.

Best of Long Stories

Lovecraft didn't write much that was novel or novella length, these are the best of those stories.

The Case of Charles Dexter Ward

Fairly classic Lovecraftian story but with much more material. Proves he actually could write a novel. I enjoyed the Cthulhu podcast reading which can be bought here or downloaded episode-by-episode from the same site.

The Shadow out of Time

Somewhere between a short story and novella. I don't recommend reading this one until you've read quite a few of his others, but I really enjoyed it.

At the Mountains of Madness

Actually, I didn't especially enjoy this one until I read the graphic novel. But so many other people seem to love it that I'll recommend it as something you might like as well. I recommend reading after you've read most of the shorter ones, not up front. And consider picking up the graphic novel in order to experience it in a different way (it's a slow, visual story).

Vignettes

Lovecraft was good at writing short works which are as much about capturing the feel of a place or idea as telling a proper story. None of these really have plot or conclusions, but they're all excellent.

The Picture in the House

One of Lovecraft's most human-centric stories. No cosmic horror, this has the plain down-home variety and very creepy. I recommend the H.P. Podcraft's recording of it.

The Music of Erich Zann

Trivia, the “viol” Zann plays is actually a cello, both are short for violoncello. Lovecraft made this clear in correspondence.

The Outsider

This vignette has a distinct Poe feel to it but is beautifully executed for what it is. I think it's possible that I may have read it in high school without knowing it was Lovecraft, but can't be sure. I read a lot of Poe & some other horror short stories.

What I left out

What I left out, I left out based on my own tastes. “The Temple,” “Cool Air,” “The Dreams in the Witch House,” and “The Statement of Randolph Carter” are all short stories that you might enjoy if you discover you like Lovecraft. I enjoy them reasonably well, but I don't think they're good enough to put in the list above.

“The Dream-Quest of Unknown Kadath” is one which I wouldn't recommend to someone starting Lovecraft. If you try the rest & like them, then consider reading it or listening to it on the Cthulhu Podcast (which is the only way I made it through, though I enjoyed listening).

I really really don't recommend “The Street,” which is so racist that it makes me yell at Lovecraft. And “Old Bugs” is about the evils of alcohol, not about giant old bugs (I was disappointed). “The Horror at Red Hook” has a lot of racist elements to it, although it is a fairly successful horror story. (updated to add: your best reasons for reading that would be as preliminary to reading The Ballad of Black Tom).

Of course, your take on this may be entirely different. If you have any other recommendations for people just starting Lovecraft, please leave them in the comments!

One of the things any fan of Lovecraft discovers early on is that Lovecraft was very attached to certain words. We either laugh or groan every time we hear something described as “indescribable” or called “unnamable” or “antiquarian” or “cyclopean.” And sometimes we wonder how many times he actually used the words.

In working on the Lovecraft ebook project (which is nearly complete and is in final proofreading), I compiled all of Lovecraft's original works in one file. So I took suggestions for words to count on the H.P. Podcraft forums and on Twitter.

The list is below. The only big surprises were “squamous,” which only appears once in an original story—“The Dunwich Horror”—, and “unutterable,” which only appeared 13 times.

Abnormal – 94

Accursed – 76

Amorphous – 19

Antediluvian – 10

Antiqu (e/arian) – 128

Blasphem (y/ous) – 92

Cat – 46 (whole word search)

Charnel – 20

Comprehension – 9

Cyclopean – 47

Dank – 19

Decadent – 32

Daemoniac – 55

Effulgence – 4

Eldritch – 23

Faint (ed/ing) – 189

Foetid – 22

Fungus/Fungoid/Fungous – 54

Furtive – 60

Gambrel – 21

Gibbous – 9

Gibber (ed/ing) – 10

Hideous – 260

Immemorial – 25

Indescribable – 25

Iridescence – 2

Loath (ing/some) – 71

Lurk – 15

Madness – 115

Manuscript – 35

Mortal – 27

Nameless – 157

Noisome – 33

Non-Euclidean – 2

Proportion/Disproportionate – 53

Shunned – 54

Singular (ly) – 115

Spectral – 60

Squamous – 1

Stench – 59

Stygian – 6

Swarthy – 14

Tenebrous – 9

Tentacle(s) – 28

Ululat (e/ing) – 4

Unmentionable – 16

Unnamable – 22

Unutterable – 13

At a commenter's request, I ran the names of some of the god/great old ones/other eldritch beings:

Gods, Great Old Olds, and other Eldritch Beings

Azathoth – 22

Cthulhu – 42

Dagon – 16

Nodens – 8

Nyarlathotep – 47

Shoggoth – 22

Shub-Niggurath – 8

Yog-Sothoth – 28

And in answer to another request:

Eldritch Tomes, Things and Locations

Tomes

Necronomicon – 49

Pnakotic Manuscripts – 16

De Vermis Mysteriis – 2

Book of Eibon – 3

Eltdown Shards – 1

Nameless Cults (Unaussprechlichen Kulten) – 4

Things

Elder Sign – 2

Locations

Arkham – 159

Dunwich – 41

Innsmouth – 104

Kadath – 67

Kingsport – 43

Leng – 158

Miskatonic – 62

R'lyeh – 16

Yuggoth – 21

Irem – 12

Ok, so, someone very crudely asked about his use of the N-word. I've deleted the comment because I felt it was inappropriate. The answer however is 20 times in stories, 19 of which refer to the abominably-named cat and the other is in “The Picture in the House” if you want to avoid it. He did use the term of the time, “negro/es,” 25 times to refer to characters and inhabitants of regions and he certainly used that term in derogatory fashion. There is then his disgusting poem “On the Creation of N—,". To my knowledge, those are the instances. This is not an argument against his racism, just a note that he wasn't throwing around the N-word except when he was, in “The Rats in the Walls” and in the awful poem. His racism was of the type more likely to use “swarthy” as a perjorative.